Here you can find help and advice on writing. This comprehensive guide includes a list of links related to careers, communities, courses and developing skills.
Careers | Comedy Writing | Poetry | Screenwriting | Courses/ Development | Awards & Funding | Publishers/Submissions | Jobs
Visit Studio12’s Opportunities Guide for current writing events, funding, jobs & opportunities
Please note: Our site contains links to and from other websites. Studio12 and Leeds City Council do not necessarily endorse or support the organisations that are linked to or from our website. We cannot guarantee that links will work all of the time, and we have no control over the content or availability of the linked pages on other websites. We aim to keep this page as up to date as possible, however please check details yourself before applying for opportunities. If you’re a Studio12 member and need some help or advice in submitting an application for any opportunities or funding, please get in touch: studio12@leeds.gov.uk
Some of the opportunities in this guide take place outside of Leeds.
Careers Guidance
BBC Writers Room:
You could work in film, TV or radio as a scriptwriter. The BBC Writers Room discovers, develops and champions new and experienced writing talent across the whole of the UK. There are scripts to read, interviews with authors, and opportunities.
ScreenSkills:
Visit the ScreenSkills website to view the Games Writer job profile.
Visit the ScreenSkills website to view the Screenwriter job profile.
Visit the ScreenSkills website to view the Script Supervisor job profile.
Comedy Writing
Bang2Write:
Run by Lucy V Hay, Bang2Write is a free writing and networking tips blog for screenwriters, novelists and freelance writers. Bang2write focuses on genre, submissions, characterisation, social media and the general mistakes writers make. We aim to ensure writers have the tools to make informed decisions about their work and how they present it and themselves to the industry. Renowned for its sweary ‘smack talk’, Bang2write was picked as 1 of the top 100 websites for writers by The Write Life in 2017, 2018, 2019 & 2020. It has also been a finalist in the UK Blog Awards. It is in Feedspot’s top 10 screenwriting blogs, number 1 in the UK. All writing is covered including for novels and film so this focus isn’t strictly comedy, however it’s a great place to go for posts on tones, tropes, genre and knowing the marketplace.
BBC Comedy Collective:
The BBC Comedy Collective is a supercharged bursary scheme offering 10 places to emerging writers, producers, directors and editors from across the UK who’d like to develop their careers in scripted comedy. Previous winners have gone on to win script commissions, get agents, produce radio shows and make BAFTA award-winning TV series.
BBC Radio 4 Extra – Newsjack:
A magazine style sketch show that comically scrutinises the latest news, views and issues of the day. Possibly the only comedy show that is truly ‘open door’ – anyone can submit material and if it gets airplay you’ll get paid for it. Most people working in radio comedy have taken this route and once you’re known for having developed your writing skills you may be asked to work on more established shows such as The News Quiz, The Now Show and The Mash Report. However there’s no simple path from this to scripted narrative, so if your dream is to write a TV series and you’re less interested in writing gags then it would be best to focus on writing a brilliant 30 page spec as opposed to starting down this path.
Comedy Crowd:
A network of comedy creators spanning writers, performers, directors and producers.
Rule of Three Podcast:
Joel Morris & Jason Hazeley are among Britain’s busiest comedy writers. They have worked with Charlie Brooker, Mitchell & Webb, and just about everybody else, winning a BAFTA for the howl of pain that was 2016 Wipe and a Broadcast Award for A Touch of Cloth. The podcast has now finished but you can still listen to it here.
Sitcom Geek:
BBC Sitcom writer James Cary is all about helping you write better sitcom scripts. James is a very experienced sitcom writer having worked on Miranda, Bluestone 42 and Citizen Khan. He is an expert on structure and how to introduce your characters.
Triforce Network:
Identifying issues in the entertainment industry regarding diversity, access and “knowing the right people”, TriForce was built and grown on a strong ethos of inclusivity not exclusivity, to open the doors to the industry to people from all walks of life. They also run a Monologue Slam and Writer Slam.
UK Scriptwriters Podcast:
They talk about the UK scriptwriting scene – film, TV and new media. It’s a great resource for screenwriting in general as they discuss the UK industry, what’s happening, what’s being made and chat with people who get their writing on screen. The podcast is no longer running, but you can listen to old episodes here.
Writers Guild of Great Britain:
A trade union representing professional writers in TV, film, theatre, radio, books, comedy, poetry, animation and video games. Their members also include emerging and aspiring writers – benefits for members include free screenings, workshops and courses. If you don’t have an agent yet they’ll give you advice regarding contracts and how much you should be getting paid – they establish the baseline rate that all writers should get for TV, radio, film and theatre. Visit the Writers Guild of Great Britain for industry guidance.
Poetry
For further ideas of where to submit your poetry check out Publishers / Submission Opportunities
Apples and Snakes:
We are spoken word trailblazers, with artists at our heart. By bringing together important voices in interesting ways, we create inspiring experiences for audiences. We champion the development of extraordinary artists. As England’s leading spoken word poetry organisation, we exist to support poets at all stages of their careers. Working with inspiring people and organisations, we run regular live events and artist development programmes across the country. Through our Book a Poet scheme, we can help you find the best visiting artists for your workshops and events. We produce work in collaboration with other charities and organisations, including libraries, prisons, and housing associations.
Creative Writing Ink:
The website is run by Olive O’Brien, a writer and publisher. Olive has a Masters in Journalism and previously worked as a features writer and news reporter. She has had three children’s books published and is the director of the independent book publishing company, Silver Angel Publishing.
Bedtime Stories for the End of the World Podcast:
Our history is informed by the remains of fallen civilisations: their bones, buildings and stories. In a world that seems on the brink of catastrophe, we want to know what stories we’ll leave behind for future generations. Bedtime Stories for the End of the World asks some of the UK’s top poets to re-imagine their favourite myths, fairytales and legends. The stories they want to seal up and protect against rising waters, from nuclear disaster, and from the mundane tragedy of human forgetfulness. What kind of stories do we want to leave the future? How might they differ from the stories we’ve inherited? Our first two series have included new poems from writers including: Jay Bernard, Malika Booker, Inua Ellams, Andrew McMillan, Sabrina Mahfouz, Kei Miller and Joelle Taylor.
Hyde Park Book Club:
Based in Hyde Park, Leeds, this bar serves drinks and meals in addition to running music, comedy and other live events. They have run many spoken word events in the past.
Leeds Writers Circle:
A group of members that meet on alternate Mondays at The Carriageworks in Millennium Square, Leeds. Every two weeks they have a manuscript evening where members are invited to read their work to the group, and receive constructive feedback from people who are writers themselves. They also run workshops on Saturdays, both by professional writers and by their members, and have three competitions a year.
Leeds Young Authors (LYA):
A creative writing program for young writers and mentorship training. The lead in poetry slam and live performance in the UK with the Sunday practise. The project was developed with the aim to stimulate a love for poetry and literature as a whole among inner-city young people. LYA now meet weekly at the Host Leeds Media Centre in Chapeltown, where the group was originally started, to study poetry, word power and performance skills. Formed in September 2003 by Khadijah Ibrahiim, LYA have been performing their brand of hard-hitting, fast paced poetry not only locally, but as the first non-Americans in the Brave New Voices competition in Los Angeles 04, San Francisco 05, New York 06, San Jose 07 and Washington DC 08. LYA were also 2nd place winners in the hometown of slam poetry Chicago 09 and were the first UK team to be selected to be part of the BNV future Corp in Los Angeles 2010 and also represented in San Francisco 2011. Their work has extended across the UK, Gambia and the Caribbean.
Mslexia:
A magazine for women who write, Mslexia is full of creative inspiration, practical advice and original poetry, fiction and memoir – as well as our unique listing of over 120 writing competitions and submission opportunities, plus lots of online workshops, courses and events. Twice annually we ask for themed poetry and prose submissions for the Showcase (previously New Writing) section of the magazine. We look for stories of up to 2,200 words, poems of up to 40 lines, and short scripts (for theatre, radio or film) of up to 1,000 words (including character names and stage instructions). Please note we only accept up to four poems and two short stories per entrant. There are also 14 opportunities to submit for women writers of all specialisms.
National Centre for Writing:
Support from Arts Council England has helped us create an early career digital programme, providing free resources, professional development and industry advice for new writers. Tailored early career support for the award winning writers will include residency opportunities, mentoring and industry support to help them build a sustainable career.
New Writing North:
We commission new work, create development opportunities, nurture talent and make connections that supports writing and reading in the North of England. We work with new writers and seek out talent across the North of England. We also work with more established writers, often in ways that allow them the freedom to experiment and grow creatively. We are inspired by new ideas and commission new writing across all forms.
Nymphs & Thugs:
Are an independent spoken word record label established in 2015. Based between Leeds and London, their aim is to provide vital and accessible spoken word content at the heart of the UK’s thriving scene. As well as digital albums, they’ve released CDs, vinyl, zines, t-shirts, pin badges, tote bags and limited edition prints. They also produce national spoken word tours and ‘LIVEwire’ events around the UK. Their Instagram feed features poetry excerpts from around the globe as well as weekly 30-minute Insta sessions with guest poets.
The Poetry Business: We publish books, pamphlets, audio and eBooks under the smith|doorstop imprint; edit a literary magazine, The North; and run Writing Days, masterclasses, residential courses, and a Writing School for published poets. We also run the annual Book & Pamphlet Competition. Our poets have won or been shortlisted for almost every major poetry prize, including the Forward Prize on 11 occasions and 10 Poetry Book Society awards, and smith|doorstop Books was awarded Michael Marks Publishers Award in both 2012 and 2017.
Poetry Daily:
They help make poetry part of daily life, presenting a new poem each day from new books and journals, along with poetry news links and more.
Poetry London:
A leading international magazine, where new names share pages with acclaimed contemporary poets. We also publish a wide range of poetry in translation. The magazine is published in February, May and September. We receive a vast amount of submissions, so reading can take up to three months, and if your work is shortlisted, maybe even longer. You might find it helpful to read the magazine first, to see if your work is suitable. We pay poets £30 for one poem and £20 for each subsequent poem. Appropriate adjustments may be made for very long poems. Review and interview fees are agreed in advance with the Reviews Editor and benchmarked at £45 per 1,000 words.
Poets & Writers, Inc:
The primary source of information, support, and guidance for creative writers. Founded in 1970, Poets & Writers is the nation’s largest non-profit organization serving creative writers. Our mission? To foster the professional development of poets and writers, to promote communication throughout the literary community, and to help create an environment in which literature can be appreciated by the widest possible public. Each year, tens of thousands of poets, fiction writers, and creative nonfiction writers benefit from P&W’s programs, which include its eponymous magazine; a dynamic, information-rich website; financial support for readings and other literary events; and sponsorship of several notable writing prizes and awards.
Poetry Society:
Founded in 1909 to promote “a more general recognition and appreciation of poetry”. Since then, it has grown into one of Britain’s most dynamic arts organisations, representing British poetry both nationally and internationally. Today it has more than 5,000 members worldwide and publishes the UK’s leading poetry magazine, The Poetry Review, which has been published since 1912. With innovative education and commissioning programmes and a packed calendar of performances, readings and competitions, The Poetry Society champions poetry for all ages. As well as the Foyle Young Poets of the Year Award, The Poetry Society runs the National Poetry Competition, one of the world’s longest-running and most prestigious prizes for an individual poem. The Poetry Society also ran the Ted Hughes Award for New Work in Poetry – the prize founded and supported by Carol Ann Duffy during her 10 year tenure as Poet Laureate.
Spread the Word:
We are London’s writer development agency, which means we are here to help London’s writers make their mark – on the page, the screen and in the world. We do this by kick starting the careers of London’s best new writers, and energetically campaigning to ensure that publishing truly reflects the diversity of the city. We support the creative and professional development of writing talent, by engaging those already interested in literature and those who will be, and by advocating on behalf of both.
The Rialto:
An independent poetry magazine (published three times a year) and poetry publisher. Visit the website to read poems from the magazine for free. The Rialto is part funded by Arts Council England.
The State of The Arts:
We make and share good stories about culture, politics and people, and we’d love to have you contributing. This form is the place for you to send ideas about interviews, features, reviews, opinion pieces, anything. Remember, we’re looking for stories and specifics that will make us excited to see the finished article.
Write Out Loud:
A national hub for participation in poetry, encouraging everyone who writes poetry – from still-too-nervous-to-do-open-mic to Nobel Prize winners – to share their words with others. The Write Out Loud website has been around since 2005, with over 45,000 people visiting the website each month. Here’s a guide to what you’ll find there:
• News: The latest news from the world of poetry, including reviews of events and books, details of competitions, and much more.
• Gig guide: Poetry events are an opportunity to share your work, meet up with other poets, socialise, and listen to a wide range of styles, ideas, forms, voices, and experiences. The gig guide is the best way to find out what’s going on in your area.
• Profiles: Creating a profile when you join Write Out Loud gives you the opportunity to tell us a bit about yourself.
• Galleries: Photos from poetry events and readings, showing poets of all ages, backgrounds, poetic styles and levels of experience.
• Discussions: Want to chat about a particular subject or issue in depth? This is the place to go.
• Poetry directory: A directory of festivals, publishers, poetry magazines, competitions and more.
Writing Tips Oasis:
We want to provide you with the very best writing tips, writing advice, and guidance to help you become the best writer you can be, whether it’s as a published author, a freelance writer, a business writer, a journalist, poet, or as a blogger. We want to help you improve not only your craft, but develop the business skills needed to sell your work to the markets you choose to.
Young Poets Network:
The Poetry Society’s online platform for young poets up to the age of 25. Here you’ll find features about poets and poetry, challenges and competitions to inspire your own writing, new writing from young poets, and advice and guidance from the rising and established stars of the poetry scene. We also bring you the latest news and ideas from the writing world, and a list of competitions, magazines and writing groups which particularly welcome young writers.
Screenwriting
Includes:
– Scriptwriting Essentials: Watch a series of ten videos covering the essentials of writing a successful script.
– Tips & Advice: For writing TV and Film Drama, Continuing Drama, Comedy, Children’s and Radio.
BBC Writers Script Library:
Visit the BBC Script Library to read a variety of BBC’s TV, Radio and Film scripts.
Visit the BBC blog to read scripts from BBC Dramas in 2020.
Channel 4 Commissioning:
Ever wondered what Channel 4 are currently looking for in pitches and scripts? Channel 4’s Content and Commissioning pages provide in-depth information. In each department (comedy, drama, daytime, E4, Film4 etc.) you’ll find an overview, information about specific areas of programming, a contacts list and FAQs.
Courses / Development
BBC Writers Room Drama Room:
A 1-year writer development scheme for writers identified through our open submission script room and other talent searches.
There are normally between 15 and 20 writers on the Drama Room scheme. They usually meet once a month for six months and receive targeted training and development including workshops (with practical writing exercises), masterclasses, introductions and networking events, and writing briefs with the opportunity to pitch. Following this they receive the support of a Script Editor for a further 6 months to develop their original spec’ script. The aim of the scheme is to encourage and develop the best in new drama writing and to give these writers the opportunity to build strong connections with producers and help them gain BBC broadcast commissions.
BBC TalentWorks:
Screenwriting opportunities
For aspiring drama writers, our Writers’ Studio: Soap and Writers’ Studio: Cosy Crime offer the opportunity to learn the ropes on our long-running drama series, with a view to being commissioned on EastEnders, Casualty, River City, or our cosy crime shows.
We also run The Writer Spotlight, which shines a light on rising stars in drama and comedy writing. Every year, BBC Studios chooses up to 8 drama and 4 comedy screenwriters that we believe have what it takes to create an original series. The selected writers are invited to our annual writer retreat and receive dedicated training and mentorship from leading producers as they develop a script with BBC Studios.
Writers trained by BBC Studios have gone on to write for shows including Killing Eve, The Crown, The Last Kingdom, and Doctor Who, and have created original series such as Father Brown, The Victim and You & Me.
Channel 4 Screenwriting Course (paid opportunity, for ages 18 and over):
The purpose of the course is to offer 12 writers new to television drama an insight into how the industry works and to provide a “dry-run” of what it can be like to write under a television drama commission, specifically for one hour series and serial drama, and to work with them as they write an original drama script. Writers will be expected to write an original C4 / E4 one-hour drama series or serial pilot episode, and 2-3 page outline / pitch for the series / serial as a whole. Each writer will be assigned a script editor, who is currently working in the industry, to guide them through this process. Writers will meet at least twice with their script editor and should complete a 2nd draft script before the 2nd weekend of the course. Completed, 2nd draft scripts will be sent to the script editor and two other writers on the course, for workshop discussions at the second weekend. Eligibility: Only writers who do not have a broadcast credit as a television writer or theatrical release as a feature film writer may apply (although produced short films – 20 minutes or less – are exempt).
FutureLearn – Introduction to Screenwriting (free online course):
Screenplays form the starting point for most dramatic films, the essential work from which all other filmmaking flows. All the tender romance, terrifying action and memorable lines begin at the screenwriter’s desk. The University of East Anglia’s School of Literature, Drama and Creative Writing have built this course with instructors and recent alumni from their course in Creative Writing. You’ll learn from a mixture of basic theory, script analysis and practical exercises. You will explore key principles as they’re expressed in great films, then immediately apply these concepts. Videos, articles and discussion steps will offer you the opportunity to learn and engage with other learners on key concepts and ideas.
Harper Collins Author Academy:
The Harper Collins Author Academy trains and support writers from underrepresented ethnic backgrounds to help them become commercially successful in the publishing environment. During the free 6-week online programme, you’ll gain all the tools you need to succeed in the publishing industry. The Academy offers three courses, covering three different genres: Fiction, Non-fiction, and Writing for Children. The courses will run remotely for 6 weeks, with weekly live-streamed tutorials and access to other course materials. Additional on-demand masterclasses cover the fundamentals of publishing as a business, and you’ll be supported by a mentor throughout. Once you’ve put your thoughts into words, you’ll learn how get your work ready for publishers. Our courses offer crucial insights across a range of industry topics:
● Turning an idea into a solid book proposal
● Working with agents, editors and publishers
● Contracts, copyright, and royalties
● Genres and formats
● The craft of storytelling
● Author branding
Megaphone – Amplifying Children’s Writers of Colour:
Support for writers of colour in England as they work on their first novel for children or teenagers. We offer a year of one-to-one mentoring and small group masterclasses to people of colour based in England as they write a novel for children or teenagers to a publishable standard. Megaphone is an Arts Council England-funded project run by children’s author Leila Rasheed and Commissioning Editor Stephanie King. Placements cost money but bursaries may be available.
New Writing North:
New Writing North offer a variety of support for writers through their projects. These cover different age groups, genres, and media.
University of Leeds Write on Wednesday Events:
Whether you can stay for ten minutes or the full three hours, Write on Wednesday is free, open to everyone and all materials will be provided.
Each week we have a range of focuses to choose from, so you can pull up a stool and enjoy looking at objects and works you may never have noticed before.
Whether you are a beginner or an experienced writer, use your time to hone your creative writing skills, chat with fellow writers or simply indulge your creativity in a calm, inspiring atmosphere.
This is a self-led activity. No need to book in advance – just turn up and write!
Word Factory Apprenticeship:
The Word Factory are a national organisation supporting excellence in short fiction. Annually they invite short story writers to be individually mentored by leading authors for free as part of their renowned Word Factory Apprentice Award. The chosen writers will be talented, supportive of our inclusive ethos and willing to participate in our activities. To qualify, they need to be living in England. They will have access to our events and masterclasses — a programme offering creative inspiration, writer development and collaboration between leading and emerging writers. The award is offered to two talented authors on the way to their first collection of stories or beginning to send work out for publication. Please Note: the scheme is not suitable for anyone with novels or collections already published or under contract (self-published and non-fiction books may apply).
Writing Squad:
A 2 year development programme for writers aged 16-21 living, working or studying in the north of England. Every two years we recruit 30 writers aged 16-21 from across the north of England. We offer a free programme of workshops, one to ones, project activity and professional development. After writers have completed the 2 year programme, the Squad continues to work with them and support the development of their writing and careers. We provide continued support with their writing plus professional development advice, investment and invitations to attend residential courses and special workshops.
Awards / Bursaries / Competitions
Alfred Bradley Bursary Award:
The Award is a £5,000 writing bursary to Northern writers new to radio and the chance of a Radio 4 drama commission. The Award was established in 1992 to commemorate the life and work of Alfred Bradley, the distinguished BBC Radio Drama Producer and is run by Radio Drama North in conjunction with BBC Writersroom. Entrants must submit an original and complete drama script written for radio, TV, stage or film which should be at least 30 pages long. Previous winners include Lee Hall (Billy Elliot, War Horse), Peter Straughan (Tinker Tailor Soldier Spy, The Debt) and Cat Jones (Doctors, Waterloo Road) who have all gone on to have huge success across radio, TV and film. To apply you must be aged 18 or over and currently reside in the North of England on a permanent / full time basis. The North of England is defined by the Boundary Committee for England which includes the North East, North West, Yorkshire and Humber.
Alpine Fellowship Theatre Prize:
Awarded for the best playwriting response to the changing annual theme. The prize will be £3,000 plus a rehearsed reading at the Fellowship’s annual Symposium to which the winner will be invited to attend. Runners up will be invited to attend the Fjällnäs symposium in Sweden to exhibit their work, all food and accommodation covered. Travel expenses will be reimbursed up to a total of £500. Rules:
● The final piece must be no more than 45 minutes in length.
● The final piece must require no more than four actors.
● The winning play will be performed as a rehearsed reading so simplicity in staging is preferred.
● This prize is open to anyone above 18 years of age.
● Plays must not have previously been performed, including as a reading or workshop production.
● Playwrights at any stage of their career are eligible to apply.
● Submissions will be judged anonymously so please ensure your name does not appear anywhere on your submission materials.
Alpine Fellowship Writing Prize:
Awarded for the best piece of writing (a maximum of 2,500 words) on the theme which changes annually. The winner receives a £10,000 cash prize and is presented with the award by the poet John Burnside. A £3,000 cash prize will go to the second place, and £2,000 to the third place runner up. The winner and two runners up are invited to attend the Fjällnäs symposium. All genres are permitted. If you’re submitting in poetry, please feel free to include as many relevant poems as you would like, while remaining underneath the word count.
BBC Comedy Collective:
The BBC Comedy Collective is a supercharged bursary scheme offering 10 places to emerging writers, producers, directors and editors from across the UK who’d like to develop their careers in scripted comedy. Previous winners have gone on to win script commissions, get agents, produce radio shows and make BAFTA award-winning TV series.
Each bursary winner receives up to £10k worth of paid shadowing on a BBC Comedy production along with an allocated production mentor, plus a £5k development grant to put towards new material or to further support their development. They also have a dedicated point of contact within the BBC Comedy commissioning team to help guide them through their year, as well as access to the support and guidance of the Comedy Collective ambassadors and alumni.
Bridport Prizes:
For aspiring writers everywhere. We are committed to discovering and championing new writers in poetry, short story, flash fiction and the novel. Note entry fees apply, but bursaries might be available if this is a barrier to you. Annual prizes in poetry (prize £5k), short story (prize £5k), flash fiction (prize £1k), First Novel (prize £1.5k), runner up (prize £750), Young Writer Award (prize £500).
Cranked Anvil:
We produce theatre, film, radio, podcasts, written word, events, as well as collaborating with other artistic companies and professional practitioners, to create and develop cultural and artistic work. Since Cranked Anvil formed in 2012 as a small-scale touring theatre company it has grown rapidly and ambitiously, and now it encompasses all manner of artistic and literary endeavours. 2020 sees the development of the publishing arm of Cranked Anvil Media. There will be more information on the website as it develops – including details of submission guidelines.
Creative Future Writers’ Award (CFWA):
A national writing development programme which celebrates talented, under-represented writers who lack opportunities due to mental health issues, disability, health or social circumstance. Prize winners are selected by a panel of industry experts and are given the opportunity to develop their work through training, mentoring, assessment and coaching. Prizes include £10,000 of cash and top writing development prizes supplied by prominent publishers and development agencies. Our high-profile award event features a selection of readings from the award winning submissions, as well as performances from prominent guest authors. Winning submissions are also published in an anthology alongside work by our guest authors, available in hard copy and as an e-book.
Creative Writing Ink:
Visit Creative Writing UK’s website to find out about writing competitions.
David Nobbs Memorial Trust Annual Comedy Writing Competition:
The competition offers cash prizes to up-and-coming comedy writers, helping them ‘buy time’ for writing. With the comedy and arts sectors widely affected by lockdown restrictions, this year’s competition will increase the cash prize for the overall winner to £750. Any runner-up winners will receive £250. Also, for the first time, the winners will get a precious one-on-one consultation with an established comedy producer on the Trust board. Lucy Lumsden, owner of Yellow Door Productions and formerly head of comedy commissioning at both Sky and the BBC, Roisin Conaty, comedian and creator of the Channel 4 sitcom, Gameface and Hunderby actor Daniel Lawrence Taylor will judge the scripts that make it to the final. The David Nobbs Memorial Trust was established by comedy producers, performers and people who knew and loved David, with the blessing of his family, to honour his memory by supporting new comedy writing in the UK. The contest is aimed at those early in their writing career, but it is not totally ‘open door’. Entrants must be able to provide a broadcast credit for their written material and accompany their entry with a 500-word Statement of Intent, describing their writing career goals.
Dinesh Allirajah Prize for Short Fiction:
Comma Press and the University of Central Lancashire are proud to host the annual Dinesh Allirajah Prize for Short Fiction. It is open to anyone age 18 or over who is a UK resident.The winning writer will receive £500 and all 10 shortlisted authors will be featured in an ebook anthology which will be published by Comma Press and sold online. The winner will also have their story published online by our media partner Northern Soul. It is free to submit your entry, but only one per writer please.
Evaristo Prize for African Poetry:
The Evaristo Prize for African Poetry is an annual prize of USD $1,500 awarded to ten poems written by an African poet.
Established first as the Brunel International African Poetry Prize (BIAPP) in 2012 by British writer Bernardine Evaristo, who founded and managed the prize for ten years, the Evaristo Prize was renamed and passed on to be managed by the African Poetry Book Fund in 2022. A close partner of APBF, the BIAPP sought to “encourage a new generation of poets who might one day become an international presence.” Indeed, the excellence of BIAPP winners continues to be celebrated globally as many of the poets have gone to publish chapbooks, full-length poetry collections, and win more prizes. The BIAPP announced their final winner in May 2022.
The Prize is open to African writers. An “African writer” is taken to mean someone who was born in Africa, who is a national or resident of an African country, or whose parents are African.
The prize is open to African poets who have not yet had a full-length poetry book published at the time of submission. Self-published poetry books, chapbooks, and pamphlets are exempt from this stipulation.
Kenneth Branagh Award for New Drama Writing:
Amateur playwrights worldwide are invited to submit unpublished one act plays. Three winning scripts will be selected for fully staged performances during the Windsor Fringe Festival. One of the three scripts will be chosen for the £500 prize, judged purely on the writing. Eligibility: only amateur playwrights are eligible and only one script per author accepted. Each script must be an original work and not previously published or performed.
Lucy Cavendish Fiction Prize:
The prize is for a novel by a woman over the age of 21 that marries literary merit with unputdownability, (for unpublished writers only). Now going into its eleventh year, the Lucy Cavendish Fiction Prize is famous for helping undiscovered female writers launch their literary careers. Founded in 2010, by Professor Janet Todd OBE, the Lucy Cavendish Fiction Prize has gone from strength to strength with many shortlisted and winning authors securing publishing deals and furthering their writing. All shortlisted entrants receive a valuable half-hour one-to-one consultation with our competition sponsors PFD (subject to them not already having an agent) who will give editorial feedback and discuss the marketability of the work submitted. In addition, the 2021 winner will receive a cash prize of £1,500.
Merky Books New Writers’ Prize:
Merky Books is an award-winning book publishing imprint launched by Stormzy and Penguin Random House UK in 2018. Merky Books New Writers’ Prize is their annual writing competition that is open to young, underrepresented, and unpublished writers from across the UK and ROI. The winner of the New Writers’ Prize will receive a publishing contract with #Merky Books. All longlisted writers will also be invited to our Writers’ Camp, where they will be able to participate in writing workshops, panel talks, editorial one-to-ones, and meet the #Merky Books team. The prize will also aim to provide all applicants the tools, information and access they need to develop their ideas, progress their writing and set off on the path to publication. We’re looking for unpublished writers aged between 16 and 30 who are currently a resident in the UK or ROI. If you have a manuscript you are working on, or an idea ready to be put onto paper, we want to hear from you. We are looking for writers telling the stories that are not being heard, and the stories that deserve to be read, across fiction, non-fiction or poetry. Unfortunately we will not be accepting children’s books this year, but aim to open the New Writers’ Prize for this next year.
NAWE:
NAWE’s mission is to advocate for Creative Writing: enhancing knowledge and understanding of the subject and supporting writers and good practice in teaching and facilitation in all settings. NAWE is a registered charity, supporting both members and the sector as a whole, providing information and advice on professional development for writers and other literature professionals.
New Writing North Northern Writers’ Awards:
Established in 2000 by New Writing North, the Northern Writers’ Awards supports work-in-progress by new, emerging and established writers across the North of England. The Awards support writers creatively as they develop their work towards publication, as well as helping them to progress professionally and navigate their way through the publishing industry. The awards support both new and established writers to develop their work towards publication and to progress their careers as writers. For new writers, winning a Northern Writers’ Award can help to connect you to the publishing industry and to develop your work towards publication; for established writers, awards can help to buy time to write to support the development of new work and offer creative opportunities. With high-profile literary judges and support and interest from across the publishing industry, the awards are now recognised nationally as a major talent-spotting programme that identifies and supports great writing and writers. Browse our previous winners to see the published work that the awards have supported. You must be over 18 years of age to enter.
Papatango New Writing Prize (for playwrights):
Launched in 2009, the Papatango New Writing Prize is the biggest playwriting award in the UK, attracting more annual entries than any other. Despite this, it is also unique in offering personal feedback, supporting new writers and generating new work for the entire sector. The Prize has long led provision for emerging playwrights, being exceptional in committing to produce and publish as well as award a follow-up commission to its winner. No other company makes such an investment in new talent.
Peggy Poole Award:
The award helps emerging writers develop their craft, and gives poets in the North West of England the chance to win a year of mentoring from a leading poet, running alongside the National Poetry Competition. To be eligible for the Peggy Poole Award, you just need to enter the National Poetry Competition and be living in one of the following postcode regions: BB, BD, BL, CA, CH, CW, FY, IM, L, LA, M, OL, PR, SK, WN and WA. When you make your entry, you’ll be able to opt in to being considered for the award. Last year’s winner was Saiqa Khushnood, who is now being mentored by Malika Booker.
Queen Mary Wasafiri New Writing Prize: Representing more of the globe than any other prize of its kind, the prize supports writers who have not published book-length works, with no limits on age, gender, nationality, or background. The winners of each category received a £1,000 cash prize and will be published by Wasafiri in print. Shortlisted writers will have their work published on the Wasafiri website. All fifteen shortlistees and winners will also be offered the Chapter and Verse or Free Reads mentoring scheme in partnership with The Literary Consultancy (dependent on eligibility), and a conversation with The Good Literary Agency to discuss their career progression. Every writer recognised by the prize, running since 2009, remains part of the Wasafiri community, and is supported by the magazine as their career grows. Past winners and shortlistees have gone on to score deals with major international publishing houses such as Verso, Peepal Tree Press, and HarperCollins India, and to be shortlisted for and win prizes including the TS Eliot Prize, Ambit Short Fiction, and Bocas Poetry Prize, among very many others.
Roundhouse Poetry Slam:
The Slam happens annually and has been running 14 years. If you’re age 18-25 this is a great way to get your poetry recognised, and raise your writing profile. You’ll get:
• The chance to showcase your talent in front of live and online audiences.
• The opportunity to make industry contacts, raise your profile and network with peers and professionals in the spoken word industry.
• The opportunity to compete for the title of Roundhouse Slam Champion and win a cash prize if you finish in the top three or win the audience vote.
• Finalists’ performances will be professionally filmed and uploaded to the Roundhouse YouTube Channel, which has over 16,000 subscribers. Past finalist videos have been reposted by global online publications and accumulated views in excess of 5 million.
• Cash prizes for the runners up
Royal Society of Literature (RSL) – Literature Matters Awards:
The Award is for writers or other literary creators seeking financial support to work on a new piece of writing or literary project, and aims to reward and enable literary excellence and innovation. Each year, after an open call for proposals, the Awards are given to individual writers or other literary creators, recognising their past achievements and providing them with financial support to undertake a proposed new piece of writing or literary project. Priority will be given to proposals which help connect with audiences or topics outside the usual reach of literature, and / or help generate public discussion about why literature matters.
Screenplay Contest by The Script Lab (free entry): The competition is designed to help open up talent discovery to anyone and everyone, regardless of financial ability. It’s open to feature, TV and short screenplays. Scripts must be in English and formatted with industry-standard screenwriting software. The Script Lab claims no ownership or first right of negotiation on material submitted to this competition. All copyright and ownership belong to the original rights holder. All scripts will receive an initial first impression read, consisting of just the first few pages of each script. Your first few pages are especially important because many readers at studios and agencies often make a snap decision about a script based on the first few pages. Please enter your full screenplay, because the screenplays that advance to subsequent rounds will receive full evaluations from our judges.
SI Leeds Literary Prize (for unpublished fiction by UK Black and Asian women):
The Prize exists to act as a loudspeaker for Black and Asian women’s voices, enabling fresh and original literary voices from a group disproportionately under-represented in mainstream literary culture to reach new audiences. In addition to providing a platform for these new voices, a key part of the Prize’s ethos is to support our shortlisted writers through a package of speaking events, network development, training and mentoring to enable them to fulfil their potential. The Prize is Leeds-based but national in its remit, and is for Black and Asian women writers aged 18 or over who are resident in the UK. Unusually, it is a prize for unpublished fiction, which makes it distinct from many other literary prizes for which only published works are eligible. The Prize’s focus on unpublished fiction means that, importantly, it encourages the broadest range of entries, separate from publishing trends or expectations about the sorts of book that our eligible writers might choose to write. Previous winners have received a £3,000 award plus a host of additional valuable benefits through the Prize’s unique Prize Plus writer development scheme, including a free place at an Arvon creative writing course; free manuscript assessment of their work from The Literary Consultancy; invitation to New Writing North’s London summer salon event for publishers and agents; workshops and support; speaking engagements, including at Ilkley Literature Festival 2018 and serious consideration for publication by Peepal Tree Press.
Society of Authors’ Awards:
Seven awards are available spanning fiction, poetry, non-fiction and illustrated children’s books. The Society of Authors’ Awards are run for authors and judged by authors, annually recognising the best and most promising voices of the year. Our awards for fiction are open to work from writers at all stages of their careers, from short stories to novels, and we accept submissions from both self-published and traditionally-published authors. We also administer two awards that celebrate the best in non-fiction writing from young authors. Our poetry awards are amongst the most prestigious in the UK. They celebrate excellence in poetry from those just starting out as well those established in their careers.
The National Poetry Competition (for unpublished poems):
The 2020 National Poetry Competition is one of the world’s most prestigous prizes for an unpublished poem of up to 40 lines, open to anyone 18 or over. First Prize: £5000, Second Prize: £2000, Third Prize: £1000, Commendations: £200. Applications for the National Poetry Competition are now open and close 31st October 2020.
Ware Poets Open Poetry Competition:
The annual Open Poetry competition has been running for over 20 years. They offer cash prizes for the winning poems (up to 50 lines), including one for the best sonnet. Prizes: 1st prize £800, 2nd prize £400, 3rd Prize £200, The Ware Sonnet Prize £200. Winners and shortlisted poets will also be included in the Ware Poets Competition Anthology. Entry fee: £5 per poem.
Women’s Prize for Playwriting:
An open invitation to all writers who identify as female in the UK and Ireland to create vivid, exciting, and brave new work for the stage. The aim of the Prize is to celebrate and support women playwrights and to discover the best new work from writers at all levels of experience. They are interested in plays that rejoice in the depth and range of your imagination, that feast on dramatic possibility and are ambitious on all scales and subjects. They have designed the criteria of the Prize to allow you to write exactly the play you want, unhampered by restrictions or limitations. Whoever you are and however much or little you have written in the past, the team at The Women’s Prize for Playwriting wants to read your work. The prize is open to all UK and Republic of Ireland based women. The writer of the script which is awarded the First Prize by the judging panel will receive £12,000 on or around the day of the awards ceremony in January 2022. The prize money comprises £12,000 as a fee in respect of an exclusive option for Paines Plough and EKP to co-produce the winning script.
Word Factory Apprenticeship:
They support emerging short story writers to be individually mentored by leading authors for free as part of their renowned Word Factory Apprentice Award. The chosen writers will be talented, supportive of our inclusive ethos and willing to participate in our activities. To qualify, they need to be living in England. They will have access to our events and masterclasses — a programme offering creative inspiration, writer development and collaboration between leading and emerging writers. The award is offered to talented authors on the way to their first collection of stories or beginning to send work out for publication. Please Note: the scheme is not suitable for anyone with novels or collections already published or under contract (self-published and non-fiction books may apply).
Writers’ and Artists’ Yearbook Short Story Competition:
For published and aspiring writers alike – enter our free annual short story competition and be in with a chance of winning a place on one of Arvon’s residential writing courses, as well as seeing your story published on the Writers and Artists website. To enter, all you have to do is submit a short story (for adults) of no more than 2,000 words. And that’s it. Unlike previous years, there’s no theme for you to base your story on; all you have to do is make sure you’re registered with the website.
Publishers / Submission Opportunities
Armley Press (based in Leeds):
Armley Press want to be moist, daring, unorthodox, dynamic and give voice to real people. We will share the word in many forms and want to hear from you. Amongst other things, we’ll produce opinionated, campaigning films and blogs. We don’t want Armley Press to be just about book publishing, we want it to be about the communication of ideas and vibes in different formats. So if you have any ideas, get in touch. Armley Press is also interested in working with established writers. We want to support things that increase diverse and unorthodox voices, put out authors that mainstream publishers may appreciate but wouldn’t publish. Although we’ll consider anything, we have a Leeds bias and want to nurture and be part of a cultural power base (countering London and Manchester) called Leeds.
BBC Radio 4 Extra – Newsjack: BBC Radio 4 broadcasts a wide variety of spoken-word programmes including news, drama, comedy, science and history. Newsjack the Radio 4 Extra topical news sketch show, which anyone can write for, and puts call outs for writers to submit sketches and one-liners for its series. Irreverent and satirical, Newsjack is the scrapbook sketch show written entirely by the Great British public, and then brought to life by a revolving cast of sketch performers. Trying to make sense of it all is host Kiri Pritchard-McLean. Go to Newsjack’s Submission Page on their website for full details, advice, script templates and details of fees for material which is used on air. You can also find loads more of advice and information on our blog.
Bloodaxe Books (based in Northumberland):
We have revolutionised poetry publishing in Britain over four decades. Internationally renowned for quality in literature and excellence in book design, our authors and books have won virtually every major literary award given to poetry, from the T.S. Eliot Prize and Pulitzer to the Nobel Prize. And books like the Staying Alive anthology series have broken new ground by opening up contemporary poetry to many thousands of new readers. Grant support from Arts Council England makes it possible for Bloodaxe to publish up to thirty new titles a year by a bold and diverse range of new and established writers from Britain, Ireland, America and many other countries, including poetry in translation and proportionally more collections by women poets than any other British imprint. Poetry publication – some pointers before you contact us:
• Reading: If you do not read much contemporary poetry, or if you write poetry ‘as a hobby’, we’re unlikely to be interested in your work. You may disagree, but we believe that no one can write poetry of quality unless they read other poets and are in touch with the literary culture.
• Magazines: It is advisable to submit poems to magazines before thinking about putting a book together. Such a “track record” is not used by publishers as a guarantee of quality, but as an indication that the writer has spent time building up a publishable collection. Poets under 30 can apply for a Gregory Award from the Society of Authors. This can be a good stepping-stone to publication. For a comprehensive listing of poetry magazines, see these two websites: The Poetry Library (UK) and Poetry Magazines
• Market: Don’t submit to publishers unless you’ve read their books, or to magazines unless you’re familiar with the kind of work they publish. Every imprint is different, and you will not be able to publish much unless you research the field and send to the publishers or magazines whose output you like and respect. You can read back issues of many of the leading British poetry magazines on the Poetry Library’s poetry magazines site (see above).
• Recommended articles: If you’d like to gain a greater understanding of the editorial process, we recommend this article by Bloodaxe editor Neil Astley offering advice to new authors in a Guardian poetry guide, and this article by poet Roddy Lumsden from the Writers’ & Artists’ Yearbook called Approaching a poetry publisher.
Blossom Spring Publishing (based in Manchester):
An independent publishing house with a world-wide distribution. We have been publishing books since 2015 and have published high quality books resulting in award winning titles. We are becoming one of the fastest growing publishers in the industry, offering our readers an exciting range of excellent books and our authors, established or new, a great platform of opportunities. We print paperback as well as e-books and we work with major wholesalers making our books readily available to order from anywhere around the world by independent book shops and chain stores, as well as online retailers such as Amazon and many more. Blossom Spring Publishing is one of the few publishers who accept unsolicited manuscripts (that is, those that are not presented to us by an agent and self-published authors). We accept manuscripts for fiction, non-fiction and children’s stories with illustrations. At present they’re particularly interested in:
Fiction:
• Commercial women’s fiction, including historical romance and saga
• Crime and psychological thrillers
• Paranormal and mystery
• Children’s fiction
Non-Fiction:
• Humour
• Health & well-being
• Food and drink
They don’t accept: poetry, short stories, or stories that carry a theme for one occasion only such as Christmas, Thanks Giving, Easter etc.
Bluemoose Books (based in Hebden Bridge):
An independent publisher. Kevin and Hetha Duffy started Bluemoose in 2006 and as a ‘family’ of readers and writers we’re passionate about the written word and stories. Stories are transformative and as publishers we delight in finding great new talent. We don’t have the heft of a London publishing house with the millions of pounds to promote our writers but we do manage through innovative marketing to get our books into high street bookstores and reviewed in the national press. If you’re looking for orange headed celebrity books, you’ve probably come to the wrong place. But if you want brilliant stories that have travelled from Hebden Bridge, across the border into Lancashire, down to London across to Moscow, Sofia and Budapest and into the United States, Australia, India, Colombia and Greenland, Iceland and Bosnia Herzevogina then Bluemoose is the publisher for you. We do not publish children’s books, YA or poetry. Please send the first three chapters and a synopsis. Unfortunately we can’t get back to you straightaway but will do our best to let you know if we want to see the full manuscript hopefully within twelve weeks.
Carcanet (based in Manchester):
One of the outstanding independent literary publishers of our time, with a focus on poetry. Now in its fifth decade, Carcanet publishes the most comprehensive and diverse list available of modern and classic poetry in English and in translation, as well as a range of inventive fiction, Lives and Letters and literary criticism. Writers wishing to submit poetry should familiarise themselves with Carcanet’s books and with the magazine PN Review. Many Carcanet authors have come to the attention of the Press by way of PN Review. In the first instance, send between six and ten pages of work (poetry or translations) during the submission period. Decisions are usually taken within eight weeks. Writers wishing to propose projects (also during the submission period) should send a synopsis and covering e-mail with sample pages, having first ascertained from the website that the kind of book proposed is suitable for the Carcanet programme.
Crowstep Journal – Submit Your Poetry:
This new poetry publication that explores themes around ancestry, the natural world, the extra-ordinary in the ordinary and the magic of everyday things. We invite you to submit poems on these themes in fresh, inventive, dark, surprising, beautiful and unusual ways and encourage broad interpretations. Submissions from all are welcome and it is free to submit. Selected work will be published on a rolling basis with one poet and their work featured monthly. We also hope to publish an anthology of selected poems in 2023. We do not offer payment at the moment but this may change in the future, if we receive more funding.
Discoveries (for novels):
Curtis Brown Creative and the Curtis Brown literary agency are delighted to be partnering with the Women’s Prize Trust and Audible to run the fifth Discoveries writing development programme and prize for unpublished women writers currently residing in the UK or Ireland. The prize accepts novels in any genre of adult fiction, with entrants invited to submit the first 10,000 words of their novel and a synopsis.
Discoveries invites all unpublished and unagented women writers aged 18 and up, currently residing in the UK or Ireland and writing in English, to submit their works of adult fiction to the Discoveries Prize.
The prize doesn’t require writers to have finished a novel – only to have started one – and it is free to enter. We’re looking for writing that shows real potential, not necessarily polished drafts. We would also like to encourage applications from writers who have previously submitted to the prize and have continued working on their stories.
Faber & Faber poetry submissions (based in London):
Founded in 1929 in London, Faber is one of the world’s great publishing houses. Our list of authors includes thirteen Nobel Laureates and six Booker Prize-winners. We are proud to publish the foremost voices in fiction, non-fiction, poetry, and drama, with writers including T. S. Eliot, Ted Hughes, Harold Pinter, Sylvia Plath, William Golding, Samuel Beckett, Seamus Heaney and Kazuo Ishiguro. Every week our Editors are inundated with manuscripts, but the reality is that we can no longer accept unsolicited submissions. We will no longer look at or enter into correspondence about unsolicited works of fiction, non-fiction, plays, screenplays or children’s books. We will, however, continue to accept poetry submissions. If you are intending to submit your poetry, please make sure to read the following guidelines carefully.
Fisher King Publishing (based in West Yorkshire):
They publish all kinds of fiction and non-fiction, as long as you understand what they want. You can familiarize yourself more with what they are looking on the website.
Indolent Books (based in New York):
A nonprofit poetry press with staff working remotely around the country. In our books and on our website, Indolent publishes innovative, provocative, and risky work by poets and writers who are queer, trans, nonbinary (or gender nonconforming), intersex, women (of all races and ethnicities), people of color (of all genders), people living with HIV, people with histories of addiction, abuse, and other traumatic experiences, and other poets and writers who are underrepresented or marginalized, or whose work has particular relevance to issues of racial, social, economic, and environmental justice.
Lantana (based in Oxford):
Lantana specialise in Children’s books, but may consider non-fiction and poetry across all ages. In the United Kingdom, a third of school children identify as Black, Asian or Minority Ethnic yet fewer than 5% of children’s books feature main characters of colour and fewer than 2% of children’s book creators are British authors of colour. The picture is even bleaker for those who identify with marginalised groups relating to class, gender, sexuality, health and ability. At Lantana, we’re changing the game by publishing inclusive books that celebrate our differences. We actively seek out stories by authors who make a diverse range of lived experiences accessible to young children. At Lantana, we are actively seeking under-represented voices. This means that if you feel you and your experiences weren’t represented on the shelves of bookshops when you were growing up, and especially if those experiences still aren’t often represented now, we want to hear from you. Picture books have been our heartland since we began, but we are also keen to expand into books for older readers. We do, on occasion, consider narrative non-fiction and poetry across the age spectrum, so if you feel that you’re offering is exceptional, please do submit it following the same instructions as for a fiction author.
Peepal Tree Press (based in Leeds):
The world’s leading publisher of Caribbean and Black British writing. We publish around 20 titles a year. Founded in 1986, Peepal Tree’s publishing programme has brought readers the best of international writing from the Caribbean, its diasporas and Black British writers. See our website for details of what we publish. We aim to reply to 90% of all submissions within 12 weeks. You can submit Non-Fiction, Fiction, and poetry.
Route Publishing Limited (based in Sheffield):
A publishing house with a principle commitment to authentic stories and good books. Our titles have been bestowed with Book of the Year Awards from Rolling Stone Magazine, Mojo, Rough Trade, Guardian, Northern Soul, Morning Star and Reader’s Digest, and have been deemed worthy of being shortlisted for the James Tait Memorial Prize for Fiction, Penderyn Music Book Prize, NME Book Award, Association for Recorded Sound Collections Award and PEN Ackerley Prize. We are a small but dedicated team who give a lot of care and attention to the books we publish. We only take on a handful of titles per year at most, even less from open submissions, and need to be convinced that books we commission are within our remit, that we can add value and are viable enough to support through sales. We don’t guarantee to reply to all submissions – we will reply if we want to see more.
Scratching Shed Publishing (based in Leeds):
Founded in 2008 by Tony Hannan, Phil Caplan, and a few authors, occasional broadcasters, and journalists from Yorkshire, Scratching Shed Publishing is an independent company based in Leeds. Although their main focus used to be the northern English culture, the range of interests has widened in the past years, as their list now includes both national and international authors, as well as the rugby league magazine Forty20. Some of the genres you can find on their website are humour, general non-fiction, boxing, horse racing, history, scripts, travel & tourism, fiction, current affairs, football, and politics. They are happy to receive unsolicited manuscripts from prospective authors or their agents. Please get in touch by email in the first instance to introduce your idea.
Sharon House Publishing (based in West Yorkshire):
A publishing house based in West Yorkshire that publishes children’s books only. We offer a service to authors wishing to publish their books. We will endeavour to market, publicise and sell our clients’ finished book. We believe everyone has a story and we want to help him or her tell it.
Tartarus Press (based in North Yorkshire):
A small, British independent press founded in 1990. We specialise in collectable hardback limited editions of literary supernatural/strange/horror fiction, and we also publish paperbacks and ebooks. We have been the recipient of five World Fantasy Awards (as recently as 2015), and in 2010 received a “Stoker” from the Horror Writers Association.
TYPE Magazine – submission opportunities:
TYPE! champions new fiction and design in a dinky A4 format that doubles as a bookmark. Each edition includes short stories and poems, writing prompts to inspire and a literary quiz to challenge. TYPE! is free, and is also available in a range of vendors, retailers and independent shops. Although we cannot pay for submissions, we will work with authors to promote the piece and their other writing. Categories: #RuleOfSix (tell us a story in six words), Fiction, Flash Fiction, Poetry, Micro-plays, Micro-films and Illustrations.
Valley Press and Lendal Press (based in Scarborough):
An independent publishing house. We publish poetry, including collections, pamphlets and the occasional anthology; fiction (including novels and collections of short stories) and non-fiction, including memoirs and travel writing.
Voice Magazine: Write for Voice Magazine as a Voice Contributor. If you have a passion for art, culture, politics or technology and have strong opinions that you want the world to hear, you should consider applying! Being a Voice Contributor means that you get your work professionally edited, allowing you to build up a portfolio to show off. You also get access to press tickets and can help shape the magazine’s editorial direction. The Voice Contributor programme runs for three months working towards a paid commission at the end of the programme. During the programme, we will help you develop your writing craft and offer tailored workshops on writing style and the prospect of a career in writing. There will also be the opportunity to continue writing for us if you choose to. Eligibility: Aimed at people age 16-25 who are passionate about culture or media; perhaps you’re planning a creative career or hoping to become a journalist. You will be keen to join a magazine team and know this means working to strict deadlines. You will have blogs and article ideas ready to pitch, and be interested in covering events in your area. We encourage people from all backgrounds and with all abilities to apply.
Jobs
Arts Council England (ACE): Visit ACE to search for the latest literature jobs.
The Guardian: Visit The Guardian to search for the latest literature jobs.